burn Norton . How is quantify invoked or described at respective(a) points in the metrical composition ? Is in that respect an interesting progression or reposition in these references ? What lines strike you as especially particular(a) or cryptic ? What is their effect ? Singly or togetherIndeed , the record while appears oer and over again in Burnt Norton But the verbalizer has diverging s of time in the poem . At the beginning of the stolon stanza , for example , he or she invoked time as an adversaryAll time is unredeemableWhat magnate prolong been is an abstractionRemaining a unvarying possibilityOnly in a world of speculationWhat might have been and what has beenPoint to bingle end , which is always present (n . pagBut towards the run stanza of section V , the speaker finally realized the futility of laboriou s to make time stop in to maintain a cherished circumstance quoDesire itself is movementNot in itself desirableLove is itself unmovingOnly the cause and end of movementRidiculous the hazardous sad timeStretching onward and after (n .
pagThe above-mentioned insight stem from the fact that ideals much(prenominal) as love and proneness were reach mainly because there were individuals who willingly abandoned convention in to pursue them . I myself initially found these lines to be shady - the speaker perfectly changed his or her views on love and desire after harrowing about their inevitable loss for the well-ni gh part of the poem . But these lines also h! ad a whiz effect on me - they enlightened me on the real record of love and mirth , as well as how they are truly attainedRead the first ten lines of section V , and meet them as attainable commentary on poetry - and on this poem in particular . What is suggested here about the wideness of Words , after...If you indispensableness to get a full essay, golf club it on our website: BestEssayCheap.com
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